Nic On Lumix

i shoot lumix.

grading every frame with vintage VHS vibes.
view work
A Sekonic light meter is positioned next to three boxes of Fujicolor Pro 400H film and an Ilford film canister. The light meter has a large spherical sensor and a digital display with various buttons and settings. The Fujicolor boxes are green and purple, indicating they are color negative films with a 400 ISO speed. The Ilford canister is black and white, suggesting a different type of film.
A black camera lens with detailed markings and focus rings is placed vertically. Its sleek, cylindrical shape includes textured grips and measurement indicators highlighted in green, orange, and white. The background is a vibrant shade of orange, creating a bold contrast.

Neon Nights

Shot in Smyrna’s quiet streets, this series plays with shadows and neon reflections, channeling an 80s VHS vibe.
A photographer holds a camera against the backdrop of a vibrant sunset, with warm colors blending into the sky. The photographer is wearing a plaid shirt, and the scene exudes a sense of calm and creativity.

Tape Texture

Exploring the tactile feel of analog media, this project captures the warmth and imperfections of vintage tape.
A Sekonic light meter is positioned next to three boxes of Fujicolor Pro 400H film and an Ilford film canister. The light meter has a large spherical sensor and a digital display with various buttons and settings. The Fujicolor boxes are green and purple, indicating they are color negative films with a 400 ISO speed. The Ilford canister is black and white, suggesting a different type of film.

Retro Portrait

A study in color science, this portrait blends analog lighting with modern grading for a timeless look.

Frames Rewind

Snapshots from Nic’s vintage VHS-inspired Lumix journey.

A person with long black hair is taking a photograph using a Nikon camera with a flash. The background features a collage of vibrant photographs and a prominent sign with the word 'NIKON'.
A close-up of a vintage Kodak Colorburst 50 instant camera, featuring controls labeled 'lighten' and 'darken' alongside the colorful 'Colorburst' branding.
A person holding a camera with a large lens and a flash attachment, standing against a vivid red background. The individual has medium-length hair and is wearing a black shirt.
A Canon camera with a large lens is placed on a wooden surface. In front of the camera, there are three film rolls in different colors, indicating different types and brands. The film rolls have labels displaying '100 T-Max' and 'Fujifilm', suggesting traditional photographic processes.
A professional Canon camera with a large telephoto lens is placed on a surface. The lighting is a mix of teal and warm tones, highlighting the lens and camera body. The surface appears smooth and the background is softly blurred, adding focus to the camera setup.
A silver Canon PowerShot S45 camera is positioned horizontally, with several colorful rolls of tape placed on either side of the camera. The tapes are arranged in an orderly fashion with the colors including green, blue, purple, red, orange, and yellow. The tapes provide a vibrant contrast to the metallic finish of the camera.
Two rolls of Kodak film are positioned on a surface. The foreground film roll displays the details 'Kodacolor 200', and '35mm Film for Color Prints'. Another film roll in the background is slightly out of focus. Both rolls have a distinct yellow and black design, characteristic of Kodak film packaging. The setting is out of focus, suggesting an indoor environment with natural lighting.
A professional Canon camera with a large telephoto lens is placed on a surface. The lighting is a mix of teal and warm tones, highlighting the lens and camera body. The surface appears smooth and the background is softly blurred, adding focus to the camera setup.